In conversation with a friend recently, just for fun(!), we started discussing the Simulation Hypothesis (theory) that very simply put states we are living in a simulation created by ancient advanced civilizations. The author of the proposed theory goes into the idea that we can only register/perceive what is in our view from one peripheral to the other, and of course its in the outer edges where the glitches lie.
If you are intrigued you can read the published Simulation Theory paper written by Nick Bostrom HERE. This is one of the original versions, and has been revised over time, but the core idea still sparks curiosity. It's another gentle nudge to think outside the box, reflect inwardly, and resist the pull of external noise.
But of course, this made me think of how small our view can actually be. Put aside the fact that we are in the most informed era of our history, and we can know it all if we choose, and how heavy of a burden that is to bear, we can only form our perceptions from what we know. While also being open to the fluidity of that perception by new information received.
This all sounds a bit techy, but the main point is - I can only view what it is in my line of sight, and wow does coming home to yourself narrow that field of vision even more. It has to. You cannot create a space of deep connection and comfort within yourself without turning your sights to the most narrow viewpoint and then also closing your eyes completely and looking (and listening) inside. This is where you get curious, turn off the external noise, and really ask yourself - "what do really believe".
In a way, this is exactly what photography, and all art, should really be. When I ask myself what I really love to take photos of, how I really love to view (compose) those photos, and what makes me feel the warmest when I edit to magic finalization - those are the photos that make me crave going back out and doing it again.
You will never be able to create your own magic by duplicating someone else's. It just will never be the zing that makes you sing (ha!).
This is why I love the moments of movement and connection, and sometimes sheer chaos in my photos. When you can feel an image - that is when you know its gooood.